Carcass was a chunk of piano that I had found some time prior and then dragged to the studios and gallery space as part of a performance. As just a section of piano but still resonant and able to sound it took on a bodily quality, particularly hung from the gallery ceiling as if it was curing meat or some kind of captured leviathan. The carcass was fitted with a contact transducer that shuddered the sounds of its transit back into its frame, resonating through its strings as if shaking tendons. This was exhibited as part of the There Were Islands exhibition.